le dernier tableau sur lequel je travaille représentera cinq personnages nus debout devant une mer émeraude et un ciel au soleil levant ou couchant , cela se fera selon l’inspiration du moment et la concordance des lumières de chaque plan. Le premier personnage, le doyen fait face au spectateur avec sa pipe. Il m’a été inspiré par une photo d’un vieil homme dont je ne voulais reprendre que l’allure générale en modifiant son teint de peau comme la scène finale doit représenter un groupe d’individu plutôt métissé. Voici cette photo.
le motif réalisé à partir de cette photo en étant ressemblant est ainsi bien différent.
la photo suivante a nécessité un travail d’interprétation plus important car il m’a fallu déshabiller le personnage et adapter la position de l’enfant que la femme tient attaché dans son dos, afin de rendre l’effet souhaité : un couple mère-enfant nu et en contre jour devant le soleil situé à la hauteur de la tête de l’enfant. Bien sûr ici le soleil n’a pas encore été peint. Mais voici la photo de départ suivi de l’interprétation qui correspond au côté gauche du tableau.
On retrouvera dans la peinture quelque chose tenant du trait de caractère de l’enfant dont la photo rend compte de l’éveil et de l’apparente forte personnalité, qualité transpirant à travers les traits du visage qui s’ils ne sont pas présent chez le modèle doivent figurer sur la peinture à réaliser, afin de produire l’effet recherché, car souvent l’on ne peut disposer de la photo adéquate au désir ou à l’idée que l’on a. Le mieux étant alors d’adapter son trait de crayon et rechercher des modèles approchant ou servant à donner le ton , la silhouette, pourquoi pas une main, un regard ou une expression de bouche que l’on pourra adapter à notre sujet, par exemple. si l’on ne le fait pas tout de suite s’agit-il en tous les cas de crayonner le personnage même à tâtons et jusqu’à un résultat satisfaisant avant de commencer à peindre.
la partie droite du tableau non finie en voici le modèle photographique dont elle est inspirée ,comme deux étapes de peinture qui soulignent l’importance du dessin préparatoire lequel guide le geste plastique et facilite ensuite le travail sur le modelé du corps et le bon positionnement de la lumière sur lequel une bonne esquisse donne loisir de se concentrer plus facilement .
maintenant deux moment du travail de peinture ici rendu aisé de par la proximité du modèle et de la position définitive des deux adolescents du tableau.
l’étape suivante on le voit ne fait que suivre l’esquisse.
maintenant voici le tableau dans son ensemble juste avant la peinture du ciel, du sable que foulent les personnages et de la mer derrière eux qu’il s’agira de rendre souple et liquide à souhait en évitant une peinture des vagues trop rigide. Donc à suivre…
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