Jeff koons a réussit à terminer l’année sur le piédestal vestale des artistes contemporains les mieux payés, les mieux fourni en équipe d’ouvrier spécialisés autant qu’orfèvres, les mieux représentés dans les musées avec une exposition internationale rétrospective de l’oeuvre de Koons au whitney Museum of american art; au centre pompidou à Paris; et au musée Guggenheim de Bilbao.
L’artiste semble avoir été dés le début assez futé pour composer avec son réel talent de peintre par exemple comme Niky de Saint-Phalle a su rendre par ses sculptures ce que sa technique limitée de peintre entravait en elle: Jeff Koons commence par installer des jouets gonflables sur deux plaques de miroir facile à poser, et au rendu propre pour un premier travail qui peut rivaliser dorénavant avec l’art des années 80, lorsque Dali torche vacillante en ces années n’en finit plus d’inonder les marchés de ses faux, que sa main tremblante de plus en plus signe chaque fois avec plus de peine.
Koons a le génie des affaires , des opportunités, des rapprochement les plus loufoques quitte à imiter le minimalisme de Dan Flavin, avec ces aspirateurs neufs exposés avec des néons dans des vitrines, dont il finance la minutieuse production en travaillant à wall Street dans le courtage, pour enfin s’offrir une grande véritable exposition publique d’un Koons qu’on expose dans la vitrine du muséum of comtemporary Art de New York : le début en 1980 d’un trentenaire prometteur .
Il y a cela est vrai un sens du fini, de l’achevé , du fait , du propre et rutilant qui émaille son travail de sculpture: tout le processus de la création est sous-traité, certes, mais le résultat est souvent une réussite où la mauvais goût, nous dirons le kitch, dans un soucis de générosité intellectuelle populaire semble rivaliser avec les canons classiques et est fait avec tous les secrets de la magie que recèle l’art.
Koons pourrait-être le Harry Poter de la peinture moderne avec cette cinquantaine de collaborateurs qui assemblent au puzzle la juste position et tonalité des couleurs que requièrent la mise en peinture de ses délires « photochopés » aux quels s’adonne Koons le patron de la marque ; Jeff Koons.
Tel un aveugle Jeff Koons expose au monde , « Le monde qu’il voit déjà », que le monde voit déjà; cela attise la dimension spectaculaire de sa production, mais Jeff Koons ne semble pas voir (ou peut-être est-ce moi) que si « le mirage de l’art « , pareil à ceux merveilleux des déserts, est quant à lui: solide, le faire reposer sur le divertissement, en dissipe en partie la Beauté.
jeff Koons sculpture
En matière de Beauté, Pietro Vannuci , dit « le Pérugin » dont le musée Jacquemart-André a permis que soit offert à l’oeil du spectateur, la délicatesse du trait de pinceau, s’il est un peintre de la Renaissance , probablement né vers 1450, fut à son époque ce que Jeff Koons représente pour la notre : un artiste renommé qui, lui, travailla pour l’institution religieuse et des commanditaires privés, en apportant au quattrocento une capacité remarquée à peindre des sujets en leur restituant une dimension psychologique et une profondeur inégalée, sinon par Léonard de Vinci qu’il croisa dans l’effervescence artistique d’une Florance qui attire à elle toutes les célébrités de la peinture.
Dans les deux reproductions présentées ici, le Pérugin peint à 20 ans une vierge à l’enfant à droite de l’image, avec une finesse rare, un pinceau sage à sculpter les rondeurs d’une madone , tout en personnalisant le caractère de Jesus , enfant, à un point si proche de la vérité qui peut lier un enfant à sa mère, n’importe lequel, et quelle que fut la mère ; que ce talent devint sa marque de fabrique, l’aspect par lequel on identifiait tout de suite un de ses tableaux. Fait à 50 ans, l’autre vierge à l’enfant à droite rend une madone songeuse, presque plus femme que mère; et un Jésus enfant dont l’instant d’une de ses pensées est figé sur la toile.
Certes à la décharge de Jeff Koons , Marcel Duchamp nous rappelle : « Que le goût soit bon ou mauvais, cela n’a aucune importance, car il est toujours bon pour les uns et mauvais pour les autres. Peu importe la qualité, c’est toujours du goût »
Seulement si Marcel Duchamp qui voit dans le titre du tableau : « cette couleur invisible » qui n’y manque pas et veut dépasser le Réalisme pour créer une peinture de l’invisibilité, s’il se sépare des éléments constitutif de l’acte de peindre sur une toile, comme si le contenant ne pouvait échafauder correctement ce but,à son instar, se dé-saisir de l’acte concret de créer pour ne faire que concevoir comme le fait Jeff Koons, parti pourtant des mêmes bases : ne lui apportera pas forcément , malgré les millions de dollars engagés, plus qu’un « simple » ordinateur capable de calculer plus vite que l’homme les énumérées combinaisons multiples du jeu d’Echec, encore une fois qui ne représente que trop mal l’aspect matriciel de la Peinture, reine incontestée des arts.
Car ce vers quoi tend Duchamp si cela le fait pencher du côté de la sculpture pour représenter ce qui échappe à la rétine, mais constitue bel et bien , ou du moins, participe aux lois qui tiennent l’Univers : il est certain que la recherche poursuivie, même si comme j’aime à le répéter : » la première fois c’est du génie , décliné à l’infini : c’est de l’escroquerie »- la recherche est en apparence onéreuse ; comme il faut disposer de la bonne table des éléments, ceux physique, réels, et symbolique afin d’offrir au XXIème siècle, plus qu’une révolution cantique, le premier maillon entre d’une part: la transformation automatisée du monde en signes informatiques, biologiques et symboliques : ce qui serait l’avènement déjà réalisée de la voix intelligente mais encore maladroite de « l’être nouveau »: l’ordinateur.
Et d’autre part: le continuum qu’il faut faire réagir ou atteindre ou transpercer ou le laisser vous transpercer : le continuum qui n’a pas de meilleur nom que : »l’Inconscient Collectif ».
Le tableau que je souhaite présenter pour inaugurer ou renouveler cette année s’intitule: « ABEL et CAÏN » , je n’ai pu le finir ou peut-être cette version si est clause, je n’y reviendrai pas et ne m’attacherai à en peindre les trois personnage : CAÏN, la LIONNE et ABEL que lorsque je solliciterai une reproduction par la méthode du traceur, fournissant un support assez agréable à peindre.
La lionne
Et ABEL, à moins que …
Par ce tableau dont la géométrie est Euclidienne mais n’emprunte aux fractales que le nom, car là le nombre est maîtrisé par le symbole , ce qui crée un autre chemin géométrique parent, j’ai essayé d’emprunter la « machine à écrire Africaine » pour tester la symétrie d’une Eau dont les cercles qui la composent sont imbriqués dans des champs si multiples qu’il s’entrecoupent et , cela laisse apparaître une autre géométrie.
Que cette année soit celle du courage et de la tendresse.
Patrick Rakotoasitera
2 728 Comments on “de Jeff Koons, à l'inspirateur de Raphael, jusqu'à la didascalie de Duchamp : mon dernier tableau ouvre les portes de l'Afrique”
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jeff Koons sculpture
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Hey there, I think your site might be having browser compatibility issues. When I look at your blog site in Chrome, it looks fine but when opening in Internet Explorer, it has some overlapping. I just wanted to give you a quick heads up! Other then that, fantastic blog!
This design is wicked! You obviously know how to keep a reader amused. Between your wit and your videos, I was almost moved to start my own blog (well, almost…HaHa!) Fantastic job. I really loved what you had to say, and more than that, how you presented it. Too cool!
Have you ever thought about creating an e-book or guest authoring on other sites? I have a blog based upon on the same ideas you discuss and would really like to have you share some stories/information. I know my readers would enjoy your work. If you’re even remotely interested, feel free to shoot me an e mail.
My programmer is trying to persuade me to move to .net from PHP. I have always disliked the idea because of the expenses. But he’s tryiong none the less. I’ve been using Movable-type on several websites for about a year and am nervous about switching to another platform. I have heard good things about blogengine.net. Is there a way I can transfer all my wordpress posts into it? Any kind of help would be really appreciated!
Hello there! Do you know if they make any plugins to help with Search Engine Optimization? I’m trying to get my blog to rank for some targeted keywords but I’m not seeing very good gains. If you know of any please share. Thanks!
Hey I am so thrilled I found your blog, I really found you by accident, while I was searching on Yahoo for something else, Anyhow I am here now and would just like to say cheers for a incredible post and a all round thrilling blog (I also love the theme/design), I don’t have time to browse it all at the minute but I have saved it and also added your RSS feeds, so when I have time I will be back to read much more, Please do keep up the awesome job.
My coder is trying to convince me to move to .net from PHP. I have always disliked the idea because of the expenses. But he’s tryiong none the less. I’ve been using WordPress on a number of websites for about a year and am nervous about switching to another platform. I have heard very good things about blogengine.net. Is there a way I can import all my wordpress content into it? Any kind of help would be really appreciated!
Have you ever considered about including a little bit more than just your articles? I mean, what you say is important and everything. Nevertheless think about if you added some great pictures or videos to give your posts more, « pop »! Your content is excellent but with pics and video clips, this website could certainly be one of the greatest in its field. Fantastic blog!
Hi! Do you know if they make any plugins to assist with SEO? I’m trying to get my blog to rank for some targeted keywords but I’m not seeing very good gains. If you know of any please share. Many thanks!
I was wondering if you ever thought of changing the structure of your blog? Its very well written; I love what youve got to say. But maybe you could a little more in the way of content so people could connect with it better. Youve got an awful lot of text for only having one or two pictures. Maybe you could space it out better?
I am curious to find out what blog platform you’re using? I’m having some minor security issues with my latest website and I’d like to find something more safe. Do you have any solutions?
First off I would like to say wonderful blog! I had a quick question that I’d like to ask if you do not mind. I was interested to find out how you center yourself and clear your mind prior to writing. I’ve had a difficult time clearing my thoughts in getting my ideas out. I truly do take pleasure in writing however it just seems like the first 10 to 15 minutes are generally lost simply just trying to figure out how to begin. Any suggestions or tips? Thanks!
Hi are using WordPress for your site platform? I’m new to the blog world but I’m trying to get started and create my own. Do you require any coding expertise to make your own blog? Any help would be greatly appreciated!
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Hello this is somewhat of off topic but I was wondering if blogs use WYSIWYG editors or if you have to manually code with HTML. I’m starting a blog soon but have no coding skills so I wanted to get guidance from someone with experience. Any help would be greatly appreciated!
Do you mind if I quote a couple of your posts as long as I provide credit and sources back to your blog? My blog is in the very same niche as yours and my users would truly benefit from a lot of the information you provide here. Please let me know if this alright with you. Appreciate it!