Jeff koons a réussit à terminer l’année sur le piédestal vestale des artistes contemporains les mieux payés, les mieux fourni en équipe d’ouvrier spécialisés autant qu’orfèvres, les mieux représentés dans les musées avec une exposition internationale rétrospective de l’oeuvre de Koons au whitney Museum of american art; au centre pompidou à Paris; et au musée Guggenheim de Bilbao.
L’artiste semble avoir été dés le début assez futé pour composer avec son réel talent de peintre par exemple comme Niky de Saint-Phalle a su rendre par ses sculptures ce que sa technique limitée de peintre entravait en elle: Jeff Koons commence par installer des jouets gonflables sur deux plaques de miroir facile à poser, et au rendu propre pour un premier travail qui peut rivaliser dorénavant avec l’art des années 80, lorsque Dali torche vacillante en ces années n’en finit plus d’inonder les marchés de ses faux, que sa main tremblante de plus en plus signe chaque fois avec plus de peine.
Koons a le génie des affaires , des opportunités, des rapprochement les plus loufoques quitte à imiter le minimalisme de Dan Flavin, avec ces aspirateurs neufs exposés avec des néons dans des vitrines, dont il finance la minutieuse production en travaillant à wall Street dans le courtage, pour enfin s’offrir une grande véritable exposition publique d’un Koons qu’on expose dans la vitrine du muséum of comtemporary Art de New York : le début en 1980 d’un trentenaire prometteur .
Il y a cela est vrai un sens du fini, de l’achevé , du fait , du propre et rutilant qui émaille son travail de sculpture: tout le processus de la création est sous-traité, certes, mais le résultat est souvent une réussite où la mauvais goût, nous dirons le kitch, dans un soucis de générosité intellectuelle populaire semble rivaliser avec les canons classiques et est fait avec tous les secrets de la magie que recèle l’art.
Koons pourrait-être le Harry Poter de la peinture moderne avec cette cinquantaine de collaborateurs qui assemblent au puzzle la juste position et tonalité des couleurs que requièrent la mise en peinture de ses délires « photochopés » aux quels s’adonne Koons le patron de la marque ; Jeff Koons.
Tel un aveugle Jeff Koons expose au monde , « Le monde qu’il voit déjà », que le monde voit déjà; cela attise la dimension spectaculaire de sa production, mais Jeff Koons ne semble pas voir (ou peut-être est-ce moi) que si « le mirage de l’art « , pareil à ceux merveilleux des déserts, est quant à lui: solide, le faire reposer sur le divertissement, en dissipe en partie la Beauté.
jeff Koons sculpture
En matière de Beauté, Pietro Vannuci , dit « le Pérugin » dont le musée Jacquemart-André a permis que soit offert à l’oeil du spectateur, la délicatesse du trait de pinceau, s’il est un peintre de la Renaissance , probablement né vers 1450, fut à son époque ce que Jeff Koons représente pour la notre : un artiste renommé qui, lui, travailla pour l’institution religieuse et des commanditaires privés, en apportant au quattrocento une capacité remarquée à peindre des sujets en leur restituant une dimension psychologique et une profondeur inégalée, sinon par Léonard de Vinci qu’il croisa dans l’effervescence artistique d’une Florance qui attire à elle toutes les célébrités de la peinture.
Dans les deux reproductions présentées ici, le Pérugin peint à 20 ans une vierge à l’enfant à droite de l’image, avec une finesse rare, un pinceau sage à sculpter les rondeurs d’une madone , tout en personnalisant le caractère de Jesus , enfant, à un point si proche de la vérité qui peut lier un enfant à sa mère, n’importe lequel, et quelle que fut la mère ; que ce talent devint sa marque de fabrique, l’aspect par lequel on identifiait tout de suite un de ses tableaux. Fait à 50 ans, l’autre vierge à l’enfant à droite rend une madone songeuse, presque plus femme que mère; et un Jésus enfant dont l’instant d’une de ses pensées est figé sur la toile.
Certes à la décharge de Jeff Koons , Marcel Duchamp nous rappelle : « Que le goût soit bon ou mauvais, cela n’a aucune importance, car il est toujours bon pour les uns et mauvais pour les autres. Peu importe la qualité, c’est toujours du goût »
Seulement si Marcel Duchamp qui voit dans le titre du tableau : « cette couleur invisible » qui n’y manque pas et veut dépasser le Réalisme pour créer une peinture de l’invisibilité, s’il se sépare des éléments constitutif de l’acte de peindre sur une toile, comme si le contenant ne pouvait échafauder correctement ce but,à son instar, se dé-saisir de l’acte concret de créer pour ne faire que concevoir comme le fait Jeff Koons, parti pourtant des mêmes bases : ne lui apportera pas forcément , malgré les millions de dollars engagés, plus qu’un « simple » ordinateur capable de calculer plus vite que l’homme les énumérées combinaisons multiples du jeu d’Echec, encore une fois qui ne représente que trop mal l’aspect matriciel de la Peinture, reine incontestée des arts.
Car ce vers quoi tend Duchamp si cela le fait pencher du côté de la sculpture pour représenter ce qui échappe à la rétine, mais constitue bel et bien , ou du moins, participe aux lois qui tiennent l’Univers : il est certain que la recherche poursuivie, même si comme j’aime à le répéter : » la première fois c’est du génie , décliné à l’infini : c’est de l’escroquerie »- la recherche est en apparence onéreuse ; comme il faut disposer de la bonne table des éléments, ceux physique, réels, et symbolique afin d’offrir au XXIème siècle, plus qu’une révolution cantique, le premier maillon entre d’une part: la transformation automatisée du monde en signes informatiques, biologiques et symboliques : ce qui serait l’avènement déjà réalisée de la voix intelligente mais encore maladroite de « l’être nouveau »: l’ordinateur.
Et d’autre part: le continuum qu’il faut faire réagir ou atteindre ou transpercer ou le laisser vous transpercer : le continuum qui n’a pas de meilleur nom que : »l’Inconscient Collectif ».
Le tableau que je souhaite présenter pour inaugurer ou renouveler cette année s’intitule: « ABEL et CAÏN » , je n’ai pu le finir ou peut-être cette version si est clause, je n’y reviendrai pas et ne m’attacherai à en peindre les trois personnage : CAÏN, la LIONNE et ABEL que lorsque je solliciterai une reproduction par la méthode du traceur, fournissant un support assez agréable à peindre.
La lionne
Et ABEL, à moins que …
Par ce tableau dont la géométrie est Euclidienne mais n’emprunte aux fractales que le nom, car là le nombre est maîtrisé par le symbole , ce qui crée un autre chemin géométrique parent, j’ai essayé d’emprunter la « machine à écrire Africaine » pour tester la symétrie d’une Eau dont les cercles qui la composent sont imbriqués dans des champs si multiples qu’il s’entrecoupent et , cela laisse apparaître une autre géométrie.
Que cette année soit celle du courage et de la tendresse.
Patrick Rakotoasitera
2 728 Comments on “de Jeff Koons, à l'inspirateur de Raphael, jusqu'à la didascalie de Duchamp : mon dernier tableau ouvre les portes de l'Afrique”
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Heya! I just wanted to ask if you ever have any problems with hackers? My last blog (wordpress) was hacked and I ended up losing months of hard work due to no backup. Do you have any solutions to protect against hackers?
First of all I would like to say superb blog! I had a quick question which I’d like to ask if you don’t mind. I was curious to find out how you center yourself and clear your mind prior to writing. I have had trouble clearing my thoughts in getting my thoughts out there. I do take pleasure in writing however it just seems like the first 10 to 15 minutes are generally lost just trying to figure out how to begin. Any recommendations or tips? Thanks!
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I was wondering if you ever thought of changing the structure of your website? Its very well written; I love what youve got to say. But maybe you could a little more in the way of content so people could connect with it better. Youve got an awful lot of text for only having one or 2 pictures. Maybe you could space it out better?
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I know this if off topic but I’m looking into starting my own weblog and was wondering what all is needed to get set up? I’m assuming having a blog like yours would cost a pretty penny? I’m not very internet smart so I’m not 100% positive. Any tips or advice would be greatly appreciated. Thank you
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My spouse and I stumbled over here coming from a different website and thought I should check things out. I like what I see so now i’m following you. Look forward to checking out your web page for a second time.
Have you ever thought about creating an e-book or guest authoring on other sites? I have a blog based on the same subjects you discuss and would really like to have you share some stories/information. I know my viewers would enjoy your work. If you’re even remotely interested, feel free to send me an e mail.
Hi there! Someone in my Facebook group shared this site with us so I came to take a look. I’m definitely enjoying the information. I’m book-marking and will be tweeting this to my followers! Outstanding blog and outstanding style and design.
Hey would you mind sharing which blog platform you’re using? I’m planning to start my own blog in the near future but I’m having a difficult time making a decision between BlogEngine/Wordpress/B2evolution and Drupal. The reason I ask is because your layout seems different then most blogs and I’m looking for something unique. P.S Sorry for getting off-topic but I had to ask!
Hey I know this is off topic but I was wondering if you knew of any widgets I could add to my blog that automatically tweet my newest twitter updates. I’ve been looking for a plug-in like this for quite some time and was hoping maybe you would have some experience with something like this. Please let me know if you run into anything. I truly enjoy reading your blog and I look forward to your new updates.
Howdy would you mind letting me know which web host you’re working with? I’ve loaded your blog in 3 completely different browsers and I must say this blog loads a lot quicker then most. Can you suggest a good web hosting provider at a reasonable price? Cheers, I appreciate it!